Free Download - 17 Essential Strum Patterns PDF
Ideas Without Limits - Part 2
Getting The Most From A Single Sequence
by Tommaso Zillio
Welcome to the second part of this article. If you missed the first part, you can find it here .
Now we will explore some other (more advanced) variations of the same
sequence we have seen in Part 1. Here is our sequence again:
Like Part 1, this article will not make sense unless you take up your
guitar and actually try to play the licks. There is no substitution for
direct experience! Get your axe and let's dive in.
The last time we have seen how to apply our little sequence to the
pentatonic scale. But what if you want to play the blues scale instead
of a plain pentatonic? Well, let's lay the blues scale down with 3
notes per strings:
Since the blues scale has six notes, the pattern repeats every 2
strings! This is very comfortable to play (well, ok, it requires a bit
of a stretch of the left hand, but I'm sure you can manage it with some
exercise). Running up and down this shape with our pattern we can build
licks like this one (in A):
Remember that you can use different rhythmic divisions than sextuplets
and you can use both the straight and inverse pattern (or alternate
Up to now we have worked only with scales. A whole new world opens up
apply our little sequence to arpeggios. The distance between notes (if
we are playing them on the same strings) becomes now quite too much for
the left hand, so we have to call our right hand in to help with some
tapped note. Here's how and Am arpeggio can be played:
Notes marked with “T” are tapped notes.
From this point on, point, the sky is the limit: you can apply this to
every kind of 3-notes arpeggio you can come up with. One example is
tabbed here, using the arpeggios of Am and G with tapping on the 1st
and 3rd strings. Notice that I'm adding two ‘extra’ notes on the 3rd
string so that the sequence fits the sextuplet pattern.
This last one is a very nice-sounding lick, but it is also the most
technical lick in this article. The main difficulty here is damping the
noise from the other strings. I have prepared a second free video
on my website that shows some tricks that are nearly impossible to
explain in writing and will help you play this licks cleaner.
This is a rather advanced concept in general, but some specific
examples of it are very easy to understand, so here we go: the left
hand plays the standard A minor pentatonic shape (black dots), while
the right hand taps the D minor pentatonic scale (green dots).
And here's an example lick with this pattern on the first four strings:
You can try to apply the same concept to every pair of pentatonic
scales. Some of them will sound good, other terrible. Experiment and
find the sounds YOU like. I give you more example of this concept on
the free video I have prepared for you.
First of all, do not bother taking all these licks up to speed. Learn
the concepts behind them and create your own licks. Here we used only a
simple sequence, but you can make up your own. How many licks you can
write using a second sequence? How many mixing the two sequences? Try
until you hear something that you like. Chances are that when you will
find something that you really like, it will be too difficult for you
to play at your technical level. WONDERFUL! Now it's the moment to sit
down and practice to really take care of your technique. Take this one
lick that you just created and learn to play it as good as you can.
Write it down, so you won't forget it. Then search for another lick
that you like. In time, the sum of all these licks that you invented
will become YOUR style, your very own recognizable voice.
About the author: Tommaso Zillio is a professional guitarist and teacher in Edmonton, AB, Canada. Visit http://www.tommasozillio.com for more information on Tommaso and to check out his free guitar newsletter.
© 2009-2010 Tommaso Zillio - All Rights Reserved. Used by permission.
|Sweeping Blues: 101 Sweep Picking Licks for Blues Guitar
- 101 licks are notated with fingering and picking direction
- Hear all 101 Licks Played
- Jam With 4 Exlusive Backing Tracks
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Learn how to modify "classical" arpeggios and make them sound Bluesy.
Learn how to avoid "kinks" in your solos by connecting scales and arpeggios seamlessly.
Learn how to use Repeating Licks and Exit Strategies to add emotion to a solo.
Discover why the pentatonic scale does not work on Turnarounds (variations of the Blues chord progression) and what to use instead.
Harness the melodic power of the Diminished and Superlocrian arpeggios for a modern Blues sound.
About Tommaso Zillio
Tommaso is a prog rock/metal guitarist, composer and guitar teacher in Edmonton, AB, Canada. He has 19 years of playing experience, on and off stage, both solo and with a variety of bands.
His last show to date had been a series of performances of the Rocky Horror Show with the Vi! Va! Voom!! entertainment company; a new musical production with the same company ("Hair") is scheduled for August 2010.
In 2009 he released, together with other 13 artists, the compilation CD "Under the Same Sky", distributed worldwide in 10.000 copies.
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Free Download - 17 Essential Strum Patterns PDF