|Online Guitar Lessons
Note: Prior knowledge of the five Minor Pentatonic box patterns and the 7 modal shapes is helpful for understanding this lesson, but not absolutely necessary.
Objective: To help guitarists already familiar with the pentatonic scale to learn and utilize the modes in their lead guitar playing.
You can receive a free companion pentatonic scale lesson instantly by emailing me at firstname.lastname@example.org.
As a guitarist, I am primarily self-taught and didn’t have any formal music theory training in the early stages of my playing. The first scales that I learned were the five positions or box patterns of the minor pentatonic scale. I wrote the diagrams out by hand, and would play (and draw) them constantly.
When I was first exposed to the seven modes of the major scale, I did the same thing; sketched the fretboard diagrams, studied how the shapes fit together, etc. Even after I had the modal shapes memorized, I was still having a difficult time actually applying them to my lead playing. Seven shapes just seemed like too many after becoming so accustomed to the five box patterns of the pentatonic scale.
Then I came up with an idea: What if I divided the modes of the major scale up into 5 scale chunks, based on the five Minor Pentatonic box patterns that I was already comfortable with? This way I would only have to add a couple of new notes to each of the 5 pentatonic boxes! For lack of a better name, I’ve decided to call this the Pentamodal Idea.
To demonstrate, let’s work out an example for a scale which is commonly used in rock guitar lead playing - the 6th mode of the Major Scale, Aeolian mode (a.k.a. the Natural Minor scale). The following examples are in the key of A minor.
Here is our 1st Pentamodal shape, Aeolian Mode:
Aeolian Mode w/ A Minor Pentatonic box 1 notes circled
We will skip Locrian, the mode that would normally follow Aeolian, since its first note (B at the 7th fret of the low E string) does not align with our A Minor Pentatonic scale box patterns.
This brings us to Pentamodal Pattern #2, Ionian Mode:
Ionian Mode w/ A Minor Pentatonic box 2 notes circled
Note: Keep in mind that even though we may have skipped over the Locrian Mode, its notes are still available for us to use in our soloing via patterns 1 and 2, we just aren’t thinking of it as its own individual shape or box pattern.
Continuing in order, Pattern #3 consists of the Dorian shape:
Dorian Mode w/ A Minor Pentatonic box 3 notes circled
Next is Pattern #4, which includes the Phrygian mode:
Phrygian Mode w/ A Minor Pentatonic box 4 notes circled
We will skip the mode that would normally follow Phrygian, (Lydian) because its first note does not align with the Minor Pentatonic scale box pattern in our A Aeolian-based example.
This brings us to our 5th and final pattern, using the Mixolydian mode:
Mixolydian Mode w/ A Minor Pentatonic box 5 notes circled
You can receive free lessons and other guitar playing resources directly from me by signing up for my free guitar lesson newsletter at http://paultauterouff.com/newsletter.php.
I hope this lesson has helped you to begin to implement modal sounds into your guitar playing.
©2008 Paul Tauterouff All Rights Reserved. Used by Permission.
Guitar CoursesRhythm Guitar Mastery
How to strum guitar like a pro, master rhythms, and build your vocabulary of essential chords
60s Rock Strumming
Learn how to play 17 classic 60s rock tunes
70s Rock Strumming
Learn how to play 20 classic 70s rock tunes
80s Rock Strumming
Learn how to play 20 classic 80s rock tunes
90s Rock Strumming
Learn how to play 20 classic 90s rock tunes
Modern Country Strumming
Learn how to play 16 modern country songs
Guitar Lick Factory
A system for creating rock & blues guitar licks
© 1999-2014 Cyberfret.com Free Online Guitar Lessons