Free Download - 17 Essential Strum Patterns PDF
What A Concept!
by Jamie Andreas
I was very fortunate when I was growing up, because
my father worked for one of the greatest companies a person could
work for, especially at that time (1950's, 60's). He worked for
IBM. IBM was founded by a very great and visionary individual
named Thomas Watson. Mr. Watson didn't just start a company, he
created and controlled an entire culture, an entire philosophy
of life, which he carefully taught to all his employees.
The cornerstone of his philosophy was embodied in
one word. This word was hanging on every wall in the IBM office,
and, along with boxes of punchcards, this word was in my house
all the time, because it was the title of the official IBM magazine
that came to our house.
The word is THINK. Thomas Watson realized that "most
of the trouble people get into begins with the phrase "I didn't
think before I acted". It is a major step forward in our growth
when we realize this truth. The next major step is when we become
aware of how little thinking we actually do, especially at the
times we need it most, which is when we have "problems", a word
which Principled Players immediately translate into "challenges".
I got a real insight into this one time when I couldn't
find my wallet, (an almost daily occurrence, because I'm usually
"thinking" about something else!). I caught myself mindlessly
roaming around the room, looking in all the same places I had
already looked, over and over as if it were going to magically
materialize! It gave me the feeling of "doing something", and
allowed me to avoid the hard work of sitting down and thinking
where I might have left it. But it didn't give me my wallet! In
the same way, guitar players will mindlessly repeat the same ineffective
actions over and over again, as if the notes are going to somehow
magically appear! We will do anything but put that guitar down
a second and really think about what we are doing, and why it
isn't working, and what we can do about it.
I have experienced, literally, struggling with some
passage of music for years, and one day solving it because I put
the guitar down, started thinking about everything I was doing
(fingerings, arm./hand/finger positions, etc), and began to "think
of", or "create", new possibilities to experiment with. And because
of doing that "thinking process", I would often "solve" those
problems on the spot, or get pointed in the right direction.
If we are really honest and insightful, we may realize
that, in fact, we NEVER think! We just mindlessly adopt the ideas
and attitudes of what is around us, and we never actually examine,
inspect, juggle, calculate these ideas and attitudes with our
minds, or, just as important, "feel" these ideas and attitudes
with our emotions (intuition), If we are equally honest, observant
and insightful about ourselves as guitar players, we will likewise
see that when confronted with problems, with things we are having
trouble doing on the guitar, we don't actually THINK. Instead
we mindlessly DO what we have already been doing, even though
it is producing no result. We keep doing the same fingering or
picking, we keep approaching it with the same hand position. We
don't stop, re-examine, observe, draw conclusions, plan a new
approach, and then observe and draw conclusions again.
To be a guitar player who considers continual growth
to be the cornerstone of their day to day activities, practicing
and playing, is to be a person who is going to be constantly confronted
by one thing: PROBLEMS! Practicing is nothing but the confrontation
of problems, one after another. If you are one of the gazillions
of players who are NOT experiencing improvement in your playing
, then please realize that you do not know how to solve problems.
Don't be depressed! Be like me. I love finding out what a jerk
I am, because then I can start getting better!
For more insight into how "thinking" dramatically
improves the rate of our growth as guitarists, read these essays:
When it comes to my growth as a player, I have always
been more interested in how a great player practices, than in
how they play. When I watch them play, I am seeing the result
of their practice. But I want to know how they GOT that result.
So I want to know how they PRACTICE.
And when I want to understand how they practice,
I look for one thing: how do they THINK about what they are doing?
How do they think about this thing called "playing the guitar"?
Whenever I discover something about how a great player THINKS,
I immediately start experimenting with thinking that way, and
understanding where that way of thinking is coming from. I recommend
it to all of you.
I can remember various times when I would hear or
read a comment from a great player, and that comment would give
me great insight into how that person THINKS, the ATTITUDES that
he or she uses to look at the world through. I would then follow
that thought process, I would adopt that "view point", and look
at things in the same way. That would lead to new discoveries.
I would "see" things they had seen, because I was using the same
thought process, looking out from the same "point of view".
Some examples: I read of Pepe Romero advising a
student who was having trouble with shifts to "focus mentally
on the muscles that make the shift". Now, this said worlds about
how a great player, known for his great technique, thinks about
the technical aspect of playing the guitar. I immediately began
to study anatomy, and think along the same lines. The results
I read of Carlos Santana talking about how when
he plays, it's only good if it makes him cry. This said so much
about the state of emotional intensity and involvement that a
great player experiences internally while playing. It means there
is no room for mediocrity in the emotional content of our music,
and our relationship. It means that WE must be moved by our own
playing, or composing, or no one else will!
Julian Bream has talked about getting the correct
"flow" and "feeling" into his arpeggios. This told me that this
great player works very much from a kinesthetic sense of the connection
between how his body feels while playing, and the sound that he
hears. It also said that he achieves his musical goal while playing
by an intense focus on the desired outcome.
So, I recommend to you that you become very interested
in how great players THINK (and feel) about what they do. What
and how a great player thinks about what they do determines what
they do. And what they do, day by day, determines what they become.
That is true for all of us. For non-players, simply enjoying a
great players playing is enough. But for us players, we need to
dig deeper than that.
Many, and I may even so most, guitar students do
not really, truly, and constantly THINK when they practice. They
are more like a fighter in the ring who keeps swinging blindly,
with his head down, so he doesn't even see what is going on around
him. He's blindly hoping he will be effective and successful,
but most of the time, he's in for a bruising! How do we get to
be "thinking guitar students"?
Thinking is a "turning of the wheels" mentally.
However, you must make sure the wheels have some "grist" to churn
while they are turning! In other words, a large part of the thinking
process is the taking in of new information, so that it can be
processed, combined and re-configured with existing knowledge,
and thereby lead to new insights and discoveries. There are two
ways of taking in new information: the people we meet, and the
books we read. Make sure you make full use of these resources
as they are available to you. Not all of us get to hang around
great players, but all of us have access to books written by and
about great musicians, and great people in general. You should
ALWAYS be taking in new information, processing it, and using
it. Understand that READING and THINKING are intimately connected.
The person who wants to grow to their full potential READS, and
also makes sure they find and recognize who and what is most worth
In my teaching, I have one central overarching goal:
teach the student how to teach themselves, and that means teaching
them how to think. That is why my book deals with the "Principles"
of practice. A "principle" is an "avenue of thought". When we
have a problem to solve, we need to look at that problem from
the viewpoint of the appropriate Principle, and let our thinking
process be guided by that principle, and see where it leads. This
is walking down the "avenue of thought".
One of the Principles of Practice says "if a mistake
is being made in playing, it is always because the finger needed
to play the note is not relaxed and ready in the right position
BEFORE it is required to move to the note". This is an "avenue
of thought" I often walk down when I have a problem. By contemplating
this principle, I am led to discover the answer to my problem,
or at least a part of the answer.
The "answer" to our problem is contained within
the problem itself. Thinking is the process by which we truly
define, and then penetrate the problem, and bring it into focus,
so that the answer, which often appears as a new direction to
move in, begins to materialize. The Principles we use to guide
our actions will determine where we travel, and how well and how
Copyright 2001 by Jamie Andreas.
All Rights Reserved.
Back to Power Practicing main page
Free Download - 17 Essential Strum Patterns PDF