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Improvisation
Pentatonic Scales for Soloing
Guest teacher series
Darrin Koltow
MaximumMusician.com

Pentatonic Scales for Soloing
By Darrin Koltow
MaximumMusician.com

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Other lessons in the Scales for Soloing series
Pentatonics
Other pentatonics
Blues

Let's get into a topic that gets a lot of guitarists excited, and some maybe a little frustrated: scales to use for soloing. Specifically, single line, improvised soloing. This could apply to rock and jazz players, but others might benefit also from learning the theory being app.

Super practical example: You're playing some tune in C major and want to improvise over the changes (that's "chord changes" if you're new to guitar lingo.). What scale do you use? Correction: what scales -- plural -- could you use? Let's go from the most obvious to not as obvious options.

The obvious option is the C major (A minor) pentatonic. Need a pattern for this? How about the following:

  
|---------------------5-8----|
|-----------------5-8--------|
|-------------5-7------------|
|---------5-7----------------|
|-----5-7--------------------|
|-5-8------------------------|

And let's have a basic phrase in C major:

||: C major, A minor, D minor, G7 :||

You don't need two guitar(ists) to practice this. Get a program like Power Tab or record yourself playing the change just given, and then play the penta pattern just mentioned over it.

How does it sound? Not terrible, right? But there's a rough spot: If you're playing the C major penta over a G or G7, you might hear this dissonance: the C note clashing with the B in the chord. It doesn't sound terrible if you don't emphasize the note. Just remember that soloing isn't all about playing your fingers off. You have to listen, listen, listen.

Next time we'll answer this: Is the C major pentatonic the only scale you can use over a progression in C major? I think you already know the answer.

Other lessons and articles from Darrin Koltow

Scales for Soloing
Pentatonics
Other pentatonic
Blues

All About Chords
Part 1 - Learn to understand how harmony and chords work on the guitar.
Part 2 - Learn more about chords and the ii-V-I chord progression.
Part 3 - Learn more about guitar chords and arpeggios.
Part 4 - The Blues Injection.
Part 5 - CAGED - Form E
Part 6 - CAGED - Form A
Part 7 - CAGED - Form A - Arpeggios
Part 8 - CAGED - Form A - Chord Melody
Part 9 - CAGED - Form A - Blues Chord Melody

Exploring Chords - short facts about chords and music theory.

How Chord Progressions Work - Learn the basics of how chords fit together into coherent chord progressions.

Transcription: the hows and whys - Channel frustration into a way for you to get results from your transcription experiences.

Blues Triad Mastery - Learn triads in a way that is fun for both your fingers and ears.

Mixolydian Scale Blues - Blues riffs don't have to come from just pentatonic scales.


Guitar Chords (GC) builds your chops and helps you identify the most important chords by ear. GC shows you how to substitute and combine chords; play Jazz, Rock and Blues progressions; transpose songs; put chords to a melody; apply fingerpicking, alternating bass, arpeggios, and much more.


Discover the best free guitar info on the 'Net, turn your practicing into playing, and make music from scales and chords. Visit MaximumMusician.com


© 2006 Darrin Koltow, All rights reserved
www.MaximumMusician.com

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